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Too many sources: is this what it feels like? Photo by randradas
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One of the main differences between my
first book, on the Polish royal cardinal Fryderyk Jagiellon (2007), and this project
is the massive increase in the number of surviving sources, once you edge out
of the late 15thC, and well into the 16th. I suppose this
is one difference between being a late medievalist and an early modernist. (I
have no idea how modernists write monographs…) There are days, like today, when
I feel I am simply drowning in 16C documents – all of them directly relevant to
the topic in hand, and all containing some interesting phrasing or claim.
At the outset, I tried to impose some order
on the documents by first identifying the one I needed from the massed volumes
of published sources, photocopying them, and putting basic summaries of each
into a central database (only Excel, nothing very flash). That gave me an
overview of what I had. Now, as I write up each chapter, I have to do close
readings of all these letters, treaties, instruction documents, orations,
petitions, royal decrees etc. So each document gets annotated by hand (usually
in a café) and then I write a little analysis of it in a Word file created for
every chapter. It feels like an elaborate process of distillation, or sifting
for gold; if you work through this large collection of material in 3-4
different ways, the really striking nuggets will rise to the top.
The challenge is to create a ‘source co-ordination
system’ which can keep track of the 1000s of details a human brain simply can’t
hold in any one moment (far less over a book-writing period of 18 months), i.e.
a universal information pool, but one which can simultaneously shape that
material into a coherent, analysis-informed structure, which reflects the argument
of the book itself. My technologically unsophisticated collection of Excel
files, Word files and very large physical piles of paper seems
to work at the moment - even though there are times when it feels as if I’m
being sucked helplessly into a vortex of 16C documents, rather than acting as an orchestra
conductor holding it all together, and moving confidently towards some grand
book finale.
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