Welcome!

This blog takes you behind the scenes of the writing of an academic history book – like a ‘making of’ featurette. Its aim is to make visible the traditionally invisible process of what it’s like for a university academic in the Humanities to write a research monograph, i.e. a single-authored 100,00 word book.

I’m a History Fellow at Somerville College, Oxford, and the book I’m writing has a working title of The Elusive Church: Luther, Poland and the Early Reformation. This project is supported by a British Academy Mid Career Fellowship (2012-13).

On these pages, you'll find a regular 'log' of how the book is progressing, plus information about the project. I welcome your comments and thoughts - whether you're studying or teaching history at school or university, or writing non-fiction yourself...

Monday, 25 March 2013

Favoured Sources

Tolkmitt / Tolmicko, home of the chronicler Simon Grunau
Photo by Piotr Tysarczyk

In the same way as you’re not meant to admit to having a favourite child, I wonder if it’s slightly naughty for historians writing monographs to admit to having a favourite, or favoured, source – because with that comes the risk that you might unfairly privilege it over the others. Being aware of feelings towards your sources, and the voices or people behind them, is however probably an important first step towards controlling for them.

Until last week, I didn’t have a single favourite source for Elusive Church. Rather, there were individual moments which made me smile, or which I found moving – the Lutheran Duke Albrecht of Prussia being made to sit through Mass on a pew next to his non-Lutheran uncle King Zygmunt of Poland, like a naughty schoolboy, or the Primate of Poland, Maciej Drzewicki, weeping when told that the religious peace talks in Germany, on which all Europe had pinned its hopes in 1530, had broken down.

I have now, however, finally got around to reading the ‘Prussian Chronicle’ of Simon Grunau, which the Somerville graduate student Sabrina Beck has been working on with me as a research assistant. Grunau was a minor Prussian friar, writing in a basic, everyday 16C German, and his chronicle has been dismissed by historians since the 19C as a useless piece of fantasy-polemic. Apart from what strike me as its overlooked merits as a major source for the Prussian Reformation, it is also wonderfully mischievous, and funny. It’s packed with stories poking fun at Prussian Lutherans (if not at Luther himself) – troublesome ghosts of Lutheran fathers visit their catholic sons, Hamlet-like, and there are tales of Danzig merchants which give us the Reformation as bedroom farce. Grunau is perturbed by events around him, but looks at them wryly, as an example of comic human frailty. As such, I like the Prussian Chronicle because, underneath its flashes of anger and reputation as a hardbitten polemic, it’s a surprisingly humane text.

Tuesday, 19 March 2013

The Extra Chapter (oops?)


Piotr Tomicki , bishop of Cracow (d.1535) - beneficiary of an extra book chapter
Throughout last term, colleagues and students kindly kept asking how the book was going, and I would say ‘I think it’s on schedule’. I’d built a fair amount of slack into the book-writing timetable, but a whole month of that was used up when I made the slightly unwelcome discovery in February that I would have to add another chapter, slap in the middle of the monograph.

Having spent several years planning and structuring the book, it did seem a bit careless to suddenly discover a gap where a chapter should be. I’ve been wondering how this came about, and whether it was down to some rudimentary error on my part. So I offer this as a case-study in how a chapter can ambush you...

The original concept was for Elusive Church to have two parts – one discussing responses to the early Reformation by the Polish Crown, and the second responses by bishops & high clergy. It seemed perfectly simple. However, as I wrote up, it became clear that the Part II chapters which were meant to be about specific church policies (preaching, prosecution) would work better if they directly addressed the question which really stood at their heart, i.e. how contemporaries understood and articulated the differences between ‘catholics’ and ‘Lutherans’, if indeed they saw much difference at all. So Part II quietly morphed in my mind from a survey of church policies, into a series of chapters exploring contemporary Polish-Prussian understandings of Lutheranism, Catholicism and reform itself.

That reconceptualisation of Part II seemed to work well, except that it left the policies of bishops (inquisitions, preaching campaigns, sponsored polemics) without a home, and these were clearly an important part of the story. So the book has now acquired a new chapter 6, which takes a handful of Poland’s top bishops as case-studies, and traces their evolving responses to Reformation activity in their own dioceses. It didn’t require any extra research, as I had all the material to hand, but it still took over 3 weeks to draft.

My sense is that this kind of thing happens because one's thinking about a book’s core argument and shape is always ongoing – in the background, in subtle, half-conscious tweaks and shifts of perspective here and there – and sometimes those processes can throw up big jolts, like tremors. That’s why a book-in-progress feels like a organic object, and why it can sometimes break through the mould of even extensive planning – and that, I think, is a positive thing, a sign of life inside the work. Those jolts may be risky, but they are also creative.

Little jolts...
Seismograph, by matthileo

Friday, 8 March 2013

Steep Tracks

Train climbing Mount Snowdon
Photo by blogee

When I wrote the book-writing rules for myself almost a year ago, I’d had an assumption that, correctly handled and planned, the process of drafting the book would proceed at a steady and even pace throughout the year of British Academy-funded leave – like a well driven train, just puffing along.

I had some hazy recollections of the last 2 months of writing my first book being slightly grim, as I ran out of physical and intellectual energy, of crawling to the finish line: a large envelope stuffed with the MS in the post to the publishers, and a plane to the Canary Islands. This book has now had nearly 12 months of steady ascent, but the track suddenly seems to have got steeper, and the general feel of the book-writing experience more intense. There is ever more to think about, as you keep realising, as you work on chapter x, how what you’re writing will affect paragraph y in chapter z. There’s a sense of the key arguments starting to lock together, but with a lot of mental noise and effort.

This sense of entering a more critical stage is probably tied to the fact that I’m about to start writing the two core chapters of the book, on how religious identities are constructed (or not) in early 16C Poland: ‘What is a Lutheran?’ and ‘What is a catholic?’. Whether one these are drafted the track will even out, or even enter a gentle descent towards the concluding sections, I still don’t know... 

Wednesday, 6 February 2013

The Book and its Heralds

Gentleman dressed as a medieval herald, at Leeds Royal Armouries
Photo by Pickersgill Reef

It’s nowadays normal procedure for a historian working on a monograph to publish one or more articles on the topic first, before the appearance of the book itself. There are good intellectual and strategic rationales for this. Pre-book articles are a way of testing the water (i.e. peer reaction), putting down a marker that one is moving into field x, or even creating (ideally) anticipation and interest around a future book. There is also, in the UK, hard academic politics behind it too: if a book project is going to take you 5-10 years, you need to keep publishing over the lifetime of that endeavour in order to have items to submit to the Research Excellence Framework (REF), the government’s regular assessment of the quality of university research, which determines departmental funding.

‘The Elusive Church' will have two pre-book articles (for all the reasons above!). Because the process of peer reviewing and publication in humanities journals is so very slow, these articles are only now beginning to emerge through the academic pipe work… by this stage, they feel a little bit like ghosts.

It’s strange writing a monograph, with these ancestor publications in the back of your mind. The 2 articles + book have to each work as coherent individual pieces of research and historical argument. But they also, ideally, need collectively to paint a connected and convincing picture. The challenge it to ensure that that this corpus of work – 2 articles + 1 book - is bigger than the sum of its miscellaneous parts. At best, those parts reinforce each other, and exist in dialogue and positive tension with one another. At worst, they just repeat each other in a way that diminishes them all.

So, for those with an interest in the early Reformation, the journal articles in question - the heralds of the book - are:

  • 'Forgetting Lutheranism. Historians and the Early Reformation in Poland’. Church History and Religious Culture (2012) (click here)
  • 'High Clergy and Printers: Anti-Reformation Polemic in the Kingdom of Poland, 1520-36'. Historical Research (forthcoming, autumn 2013).

Thursday, 31 January 2013

All Change

Monograph on the move again.

I’m spending this afternoon packing up my books and monograph papers, housed since May in a rather nice Victorian  set in Somerville’s Maitland building, and tomorrow afternoon I get to unpack again in my ‘official’ room/office, in Wolfson building.

In my grumpier moments, I suspect that it’s not a good use of my time, in a monograph writing year, to have had to vacate my Wolfson office twice (once for 3 days, once for 9 months) as a result of noisy and overrunning building works in the college. 

But being a bit nomadic these past 13 months has had its advantages. Over summer, I got to share a work space with my History colleague Benjamin Thompson, which meant that the monograph-writing began to feel a bit more like a mainstream office job, with someone to chat to during tea breaks etc, rather than the default, splendid monastic isolation of the Oxford don on research leave. I’ve also been forced to sort out my papers at regular intervals, which has kept in check the tendency of my photocopied sources to migrate all over the carpet, like an ominous sludge. Above all, however, I find I write much better with regular changes of scene, and view. There’s something mentally stimulating about new surroundings and, conversely, a sense of staleness if you sit in front of the same window, at the same desk, most days for over a year. The sheer over-familiarity of the physical environment can dull the intellectual senses, which are already struggling to stay fresh from thinking about the same material, intensely, for a long period of time. So I’m hoping that all this upheaval will unleash some extra energy in the coming weeks… 

Thursday, 24 January 2013

Dear Diary

A useful new tool?

A couple of weeks ago, I bought a tiny blue note-book from WH Smith in Oxford station. This has become a book-log, a book-writing diary, where I simply write down a list of what I did on the 'Elusive Church' monograph each day. This is partly for my future self – so that when in 12 months’ time I’m tearing around Oxford again marking essays, teaching classes and giving lectures, and wonder ‘What an earth did I do with all that research leave?’, there will be a record to remind me that research (all that ‘free time’) is likewise very busy and very hard work.

The mini-diary is also there as a prop to morale, and as a diagnostic tool. When I think back over, say, a month of monograph writing, my sense of what I did turns out to be quite different to what the diary records me as having done. Entire days spent in the Bodleian, reading exciting books, seem to vanish in a flash, forgotten. What makes an impression on the memory, instead, and misleadingly, is the hour spent in a cafĂ© tearing one’s hair out over how to structure the second half of the book. So the diary can be quite cheering – the chapter which felt as if it had taken an eternity to draft had, in fact, taken only about 4 days. Which just goes to show that historians not only have to manage the actual writing of the book in hand, but also manage their own highly unreliable perceptions of how it is going. 

Wednesday, 16 January 2013

A River of Sources

Trying to reach the other side...
Photo by  Janeyism

In the Christmas period, life intruded on the monograph somewhat, in the form of a chest infection and domestic relocation. Over that break, I decided to recalibrate the structure of the second half of the book slightly – rather than a series of chapters discussing different kinds of Reformation responses (printed polemics, preaching campaigns, humanist reform programmes), the chapters will instead discuss how ‘Lutheranism’, the old / catholic church and reform/Reformation were constructed by people in Jagiellonian Poland, as shown in their policies and writings.

This change of emphasis means, however, that I have to go back through all my marked-up sources, and read them in a slightly different way. This is proving to be (of course!) slow and labour intensive, though thankfully not yet dull. While book-writing itself is a big leap of faith, major source-processing exercises like this are particularly trying on the nerves – it’s like jumping into a river and trying to swim to the other side, hoping that your energy doesn’t give out, knowing how important it is to keep going… in this case, for a few weeks. The gamble is that, once all this information is extracted and logged and arranged in my computer files, writing the actual chapters will be relatively quick and straightforward.

Having to spend 2-4 weeks going meticulously through sources, maintaining a certain speed, isn’t particularly compatible with the book writing rules, which suggest half a day of computer work in college, followed by half a day in the library. So, I think it’s going to be a long, hard January...