A little while ago, I
was about to go to sleep when a picture popped into my head, which I scribbled
down like this:
I’ve tried thinking
about the monograph as a machine with interlocking parts, or as a skyscraper, but
I’m currently finding this floral metaphor quite useful. Chapter 1, which
offers a narrative/ historiographical/ analytical overview of the early
Reformation in Poland
is the stalk, the basic root (of fact, evidence and context) which keeps the
whole thing up (hopefully). The yellow centre is the core argument of the book,
which will get its initial statement/airing in the Introduction. The petals
fanning off are the individual chapters which all touch each other, but also
point to and grow out from the central argument. Trying to decipher my
late-night handwriting, I can see that I initially scrawled ‘windmill’
underneath the picture, which might be a slightly less twee formulation that ‘daisy’.
I’ve found this a reassuring way of thinking about the monograph, because it
makes the book look somehow solid, rational and an organic whole…. on my
late-night note-paper at least.
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Photo by I am His |
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Photo by chrisdonia |